Week Five Task:
- Reflect on the nature of
tourist traffic through/in/around your chosen site. How does the history
of your site affect various modes of a visitor 'reading' it?
- How do you anticipate
audiences will engage with your work based on the sites past/current/future
civic use and purpose?
- Can your work accommodate
the accidental visitor and the visitor who arrives specifically to engage
with your work?
Well the week five task has pretty much already been
answered by past descriptions of my chosen place. Because the flat is at the
top of the hardest art of the track, 99% of the tourists that wonder onto the
looped track on either side turn back before they get to the flat because of
the intense climb on either side. The only people that go anywhere near this
flat are people that are purposely exercising. The place doesn’t really have a
history that is different from what it is now. Its one of the beautiful places
that hasn’t been changed by humans all that much. The only change is maybe the
adding of paths and the marks people leave by walking. I think the audience
would probably best engage with the place through silence. Through being quiet
they will be able to connect with the natural place through the sounds of the
wind in the trees, the birds, the animals moving in the bushes and all of the
other beautiful things that are associated with a place like this that hasn’t
been overtaken by humans. The only accidental visitors to a work in this site
would be those using the area for exercise. Because the place is hard to
access, this will also deter a lot of people, minimising the audience to able
bodied people with no aversion to exercise and sweat. Through the location it
makes the audience a selective type of person and it would be good to make the
work cater to this type of in dividual by making it something physically and
mentally challenging.
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